Posts tagged literature

On Satire

Satire is pretty much when you take some flaw in human beings, possibly as a society, and expose it through wit and ridicule; for example, one could say that in Harry Potter, the Ministry of Magic is a satrical representation of the governments and bureaucracies of today’s big world powers, in that it is an exaggeration of how our governments deal with issues such as genocide, war, social injustice – all that jazz. Of course, the way Rowling attacks the Ministry isn’t usually as humorous or lighthearted as most satire, but it is still a comically hopeless representation of it.

And the thing is, ignoring creative intent, one could see everything as satire – TV shows, books, poems, maybe even religions! Like, is Twilight satire? It shows these terrible values and ghastly characteristics of people, and seems to advocate them. It shows these shallow, two-dimensional people, and terrible choices and decisions, and yet all of it leads to a supposedly happy ending. BUT if you look at it as satire, you could say that it’s just saying that people are shallow and pathetic like that, and eventually get the kind of ending they expect – one that is empty and worthless in the long run.

But it’s not.

One problem with satire is that often, especially with more complex issues, is that satire can be hard to identify. Who knows if something (like Twilight) is poking fun, or serious? Admittedly in most professional (not Twilight) books you can usually tell what the author is supporting, but it can still get confusing. And worse, if it’s given straightforward that something is satire, it takes away from the expereince somewhat. It’s like the Heisenberg Uncertainty Principle: if you know something is satire, you don’t get that doubt about society and all (like when I was reading 1984 and Brave New World I could not tell how much of it was actually bad things about society until I did some research); you need to judge something without knowing its intent to be able to truly appreciate satire, in my opinion. That was a confusing sentence…

Overall, satire = good. I’d give it 5/5

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50 first books!

Update: And suffice it to say 3 books in I’m already failing. One minor obstacle: School!

I’m going to be reading at least 50 books in 2009. I’ve hardly read much regularly in 2008, and it annoyed me; in 2009 I will be reading quite a few books. The list is still in the making, and will be updated as I finish books. Oh and I might do reviews of them. And the list is subject to change, but will always be at least 50 books!

Also, the list might grow to include more than 50 books. But I will read at least 50!

Note: bold means I’m reading it right now.

This list might not be in order of reading though:

  1. Lord of the Rings: The Two Towers, by J.R.R. Tolkien
  2. Let it Snow, by John Green, Maureen Johnson, and Lauren Myracle
  3. The Astonishing Life of Octavian Nothing, Volume 1, by M.T. Anderson
  4. Harry Potter & Imagination, by Travis Prinzi
  5. Looking for Alaska, by John Green
  6. The Astonishing Life of Octavian Nothing, Volume 2, by M.T. Anderson
  7. Feed, by M.T. Anderson
  8. The Time Traveler’s Wife, by Audrey Niffenegger
  9. Eats, Shoots & Leaves, by Lynne Truss
  10. Pride & Prejudice, by Jane Austen
  11. Outliers, by Malcolm Gladwell
  12. Lies My Teacher Told Me, by James Loewen
  13. The God Delusion, by Richard Dawkins
  14. The Prince, by Niccolò Machiavelli
  15. Communist Manifesto, by Karl Marx and Friedrich Engels
  16. Thus Spoke Zarathustra, by Friedrich Nietzsche
  17. The Brief and Wondrous Life of Oscar Wao, by Junat Díaz
  18. The Catcher in the Rye, by JD Salinger
  19. Charlotte’s Web, by E.B. White
  20. The Great Gatsby, by F. Scott Fitzgerald
  21. Animal Farm, by Geroge Orwell
  22. 1984, by George Orwell
  23. The Godfather, by Mario Puzo
  24. The Kite Runner, by Khaled Hosseini
  25. Water for Elephants, by Sara Gruen
  26. Frankenstein, by Mary Shelley
  27. The Namesake, by Jhumpa Lahiri
  28. Wuthering Heights, by Emily Brontë
  29. Jane Eyre, by Charlotte Brontë
  30. Uncle Tom’s Cabin, by Harriet Beecher Stowe
  31. Adventures of Huckleberry Finn, by Mark Twain
  32. Adventures of Tom Sawyer, by Mark Twain
  33. Little Women, by Louisa May Alcott
  34. Great Expectations, by Charles Dickens
  35. Lost World, by Arthur Conan Doyle
  36. Journey to the Center of the Earth, by Jules Verne
  37. 20,000 Leagues Under the Sea, by Jules Verne
  38. Around the World in Eighty Days, by Jules Verne
  39. The Picture of Dorian Gray, by Oscar Wilde
  40. Dracula, by Bram Stoker
  41. The Time Machine, by H.G. Wells
  42. The Grapes of Wrath, by John Steinbeck
  43. Of Mice And Men, by John Steinbeck
  44. Old Man and the Sea, by Ernest Hemmingway
  45. Catch-22, by Joseph Heller
  46. The Notebook, by Nicholas Sparks
  47. 2001: A Space Odyssey, by Arthur C. Clarke
  48. The Hitchhiker’s Guide to the Galaxy, by Douglas Adams
  49. Lord of the Rings: Return of the King, by J.R.R. Tolkien
  50. The Hobbit, by J.R.R. Tolkien
  51. The Hunchback of Notre Dame, by Victor Hugo
  52. Les Miserables, by Victor Hugo
  53. The Three Musketeers, by Alexandre Dumas
  54. The Count of Monte-Cristo, by Alexandre Dumas
  55. State of Fear, by Michael Crichton
  56. Life of Pi, by Yann Martel
  57. Nick and Norah’s Infinite Playlist, by Rachel Cohn and David Levithan
  58. Blue is for Nightmares, by Laurie Faria Stolaz
  59. The Hunger Games, by Suzanne Collins
  60. The Lightning Thief, by Rick Riordan
  61. The Book Thief, by Markus Zusak
  62. The Road, by Cormac McCarthy

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Book reccomendation!

http://thehogshead.org/pre-order-harry-potter-imagination/

“What we achieve inwardly will change outer reality.”  Those words, written by Plutarch and quoted by J.K. Rowling in her 2008 Harvard commencement speech, sum up both the Harry Potter series and Travis Prinzi’s analysis of the best-selling books in Harry Potter & Imagination: The Way Between Two Worlds.   Great imaginative literature places readers between two worlds – the magical world on the page and the world of daily life – and challenges readers to imagine and to act for a better world.  Starting with Harry Potter’s great themes, Harry Potter & Imagination< takes readers on a journey through the transformative power of those themes for both the individual and for culture by placing Rowling’s series in its literary, historical, and cultural contexts.  Prinzi explores how fairy stories in general, and Harry Potter in specific, are not merely tales that are read to “escape from the real world,” but stories with the power to transform by teaching us to imagine better.

Harry Potter & Imagination looks like a great read, and a great literary and analytical book about Harry Potter. Definitely a better book than Mugglenet’s book, which was fun to read, but not very… well it wasn’t literary masterpiece.

So pre-order it. Now.

http://thehogshead.org/

EDIT: spelling fail–recommendation has one “C” 😦

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Re: People who take literature and fiction literally

Opinion without much factual or professional backup follows:

With the arrival of authors like J.K. Rowling, Christopher Paolini, Philip Pullman, and other fantasy genre authors, comes a new generation of kids and adults alike. More and more people get inspired by the themes and characters in these books, and also get mystified by the magical worlds therein. People can relate to and integrate the  themes of love, friendship, and life. Even if they do not consciously realise it, such books can revolutionize readers’ ways of thinking- especially at a young age when such philosophies begin to move into people’s minds.

For the most part, people can understand that the magic and fantasy in books is usually not real, thus fiction. But if people reading books cannot differentiate between reality and fantasy, then they must realise that fantasy worlds and elements of magic are just PLOT DEVICES. They are tools for the author to advance his or her messages or stories, to create an environment that suits her plot or themes.

Its the same with any well written story- the story itself, and all the elements therein, are all there to display the theme or message. The characters, plot, setting, all work fr what the author is trying to say. The authors may not agree with the people in their books, but they use the characters to show their views of the world. Authors may love their characters or settings or any things in their books, but those are usually in addition to the ideas and messages…

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It WAS the best of times… not IS

In the 8th grade, A Tale of Two Cities was my English Literature textbook. It was, I think an abridged version. if not, I don’t think I ever really understood it. Now, 3 years later, I checked aforementioned book (unabridged I think) from school library. I assumed my VASTLY superior knowledge compared to 13yo me would help and make this an easy read… I was wrong. Now I might have to take a few days to get this done, maybe weeks. I wonder if Eldest and Breaking Dawn will get here from Amazon by then!

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